Renee's Papal Insignia Challenges Her Beliefs

I met Renee in the Clark Street subway station in Brooklyn Heights recently, and we had a fascinating conversation.

We talked for a good bit, and actually spent more time time talking about her plans for new tattoos, as opposed to what she already had on her body. She has five tattoos, two of which she did herself. We ended up talking most about this one, on the middle finger of her right hand:


This is one of her self-inked tattoos which, she says, she did using "the prison method". This generally involves using a needle or a sharpened guitar string and dipping it in ink. Sometimes with, sometimes without, a jerry-rigged motor.

The design is based on the insignia of the Pope.

At the time that she did this, she felt a connection to the Catholic Church that was very strong. Religion was a "huge part of her childhood"

However, as anyone paying attention to the news recently is well aware, the Catholic Church has been under fire for quite some time due to its handling of internal matters regarding abuse among the clergy.

Renee finds that who she is now is "irreconcilable with the Catholic Church" and, as a result, she plans on having this finger tattoo covered up "as a statement" about her feelings and her conviction that this symbol is, in her words, "something I can't have anymore".

So today's post features a tattoo whose time is running out, which is not all that common here on the site. I have always maintained that the tattoos seen here aren't always the "best" in art, but rather, interesting encounters in New York with interesting people.

Thanks to Renee for being so forthcoming about her personal connection to tattooing, and for sharing this small, seemingly harmless tattoo, that carries with it such a weight, laden with meaning.

Karen's Colorful Ink Glows in More Ways than One

Autumn has not been good to us here on Tattoosday. Inkspotting has been, um, spotty, at best, and most of the work I have seen has been indoors and/or below ground.

On Tuesday, I glimpsed some color peeking out from a woman's sleeve as she walked south on Seventh Avenue.

When I stopped to talk to her, Karen was gracious, despite the chill in the air, and filled me in on the two pieces (yes, just like last Tat-twosday) on her right wrist:


Karen is a student at Fashion Institute of Technology and was inky of another sort, with smudges on her hands and arms from her projects. She is an artist specializing in textile surfaces, designing such things as wallpaper, tissue boxes, and other items requiring her craft. She cleaned some of the ink up from around her body art, enough so we could get a clearer shot of her tattoos.

The one on the left is the insignia from the Gunslinger's revolver featured on the covers of Stephen King's Dark Tower series.

This is referred to as the "Eld Sigul" insignia and stands for the Gunslinger. I'm sure fans of the series will correct me and/or expand on the topic should they find that explanation lacking.

Do note that we had a Dark Tower tattoo recently on these pages, here back in October.

What's noteworthy about this piece is the ink used has special qualities. Karen originally wanted a hot pink tattoo, but the shop (Skin Deep Tattoo) had just received a shipment of ink that illuminates under black light. I've not seen one of these in person, but have seen samples elsewhere in the blogosphere.

The other piece, on the right, is a "third eye" designed by the artist Alex Grey, who is renowned for his cover art for the band Tool:


In fact, this "third eye" piece is from the art of the Tool album Lateralus:




This, also, was worked up at Skin Deep. Karen believes that Rob was the tattoo artist for both pieces. The extreme close-up at the top of this post emphasizes how vivid the ink used in the piece is.

Karen has two other tattoos, but they were well-protected from the elements, and were not visible higher up on her arms.

I do thank her again for being so amenable to stopping and sharing her work with us here on Tattoosday!