The Tattooed Poets Project: Alex Grant's Totemic Tattoos

Alex Grant is one of the many writers I have met through Facebook via the poet Dorianne Laux. Originally from Scotland, he lives in North Carolina, and sent me the following photos of his tattoos:


The top piece is “a variation on a Celtic totemic symbol …which…suggests totality - Sun, Moon, Stars and sky - and the celebration of all that implies...”.


The banded tattoo below the Celtic piece is a series of Mayan totem symbols. He interprets them as representations of “the cycle of sleep (as in having no awareness), through awakening, through full consciousness”.




These tattoos date back to the early 1990’s (circa 1994-1996) and were inked in Berkeley, California, at Zebra Tattoo & Body Piercing.

These are not the only tattoos Alex has He told me, “I have some others that I don't love so much - including some I did myself with a needle and ink at age 16!”

Thanks to Alex for sharing his work with us here on Tattoosday!

Please be sure to head on over to BillyBlog to read one of Alex's poems, or you can explore more of his work on his web page here.

The Tattooed Poets Project: Caroline Malone's Trio of Intimate Tattoos

Today's tattooed poet is Caroline Malone. She was kind enough to offer not one, but three, of her tattoos for our enjoyment.

Here they are, in her own words:

"Alien cat was my first tattoo in 2006.


I had always told myself I would never get a tattoo, but then I met someone, someone who turned out to be my sweetheart, who had a tattoo for each of her three novels, and I thought, what a great way to celebrate one’s published work. Since I don’t have a book of poems published, I became concerned that to honor each of my published poems, I would end of up with a substantial part of my body tattooed. So, I opted for a tattoo that would be a tribute to my sweetheart. Also, I love felines as does my sweetheart. I wanted to steer clear of clichés because I do consider myself a decent writer. It took me a few months to find the right design and choose a spot for the tattoo. I’m happy with the location [the upper right side of the chest, near the shoulder], but I probably picked one of the tenderest areas of the body for a needle to repeatedly pierce. The tail of the cat is in the shape of an inverted letter “J,” the first initial of my love, and it’s red because my sweetheart’s hair is red.

I had this tattoo done, as I did the other two, by Anna McClain at Saint Tattoo in Knoxville, Tennessee. Saint has won all sorts of awards. It’s THE place to go for quality, creative work. Anna’s work is distinctive, but you can’t really tell from the Alien cat. If you show your Anna-tattoo to tattoo people around Knoxville, they always recognize it as Anna’s work. My other tattoos show her talent. Anna is quiet and sweet, so even though I was practically shaking with fear over what was about to be done to my body, I went through with it because Anna gave me the confidence. The entire process took about 20 minutes – the tattoo is about as small as she could make it – and the only pain resulted from when the needle was close to the bone (I’m bony).

That first tattoo I gave to myself as a birthday present and the second was a year later, another birthday gift. My sweetheart and I had become close enough that I had a pet name for her, Mermaid, so I decided to have a mermaid tattoo as a kind of promise ring or something. It took me several months to find a design that wasn’t Disney’s The Little Mermaid or a fantasy-style mermaid. I took the design to Anna, and she worked for about 20 minutes to come up with a custom design.


I loved and love the tattoo running down my left hip, like a mermaid floating under the water. Also, I can see the tattoo without having to use a mirror, just like the alien cat. I personalized further by having my sweetheart’s first and last initials lettered in one of the air bubbles surrounding the mermaid. This one took about an hour and a half, and it hurt like hell because again, I’m bony, and the only relief came when Anna worked, briefly, on the small part of the design that extended to my ass. I think Anna was almost as excited about the final product as I was. I knew she liked working with color, and the alien cat was 95% solid black, and then just the snippet of red tail. This tattoo is so sensual and feminine.

My last tattoo came on December 22, my birthday, of last year. My relationship with JW had progressed, and so the moon tattoo is a testament to our growing intimacy.


The moon is symbolic for me in many ways, one of which is that one of my favorite novels by my sweetheart has the word “moon” in the title and is an important symbol in the book. I came up with the design by taking a sort of standard shape crescent moon, adding the flowing purple hair, and then asking Anna to add her special touch to it. She nixed my initial request for red hair because she said the moon would not be red, plus it would make it look angry, which is not what I was going for. She was skeptical about my desire to have the entire first name “Julia” in script as part of the moon’s hair, but she found a way to make it work. Anna did the perfect job of choosing colors, again creating such a sensual, dreamy image. My right hip isn’t any tougher than my left one; for some reason, this one hurt worse than the mermaid, and during the last thirty minutes of the process, I could feel my nails (and my nails are nothing to speak of in length) sinking into the little black leather pillow I was cradling. Luckily, I could then concentrate on worrying I was tearing up her pillow instead of the needle.

Before the tattoos, I wrote a poem for my sweetheart, trying to use tattoo as metaphor in a fresh way. I’ve been told the poem works because of its sensual qualities, which is different from other tattoo poems."

Head over here to read Caroline's poem, "Body Art".

A hearty thank you to Caroline Malone, not only for participating in the Tattooed Poet's Project, but for providing such a close, intimate look at her tattoos and the process behind them!

The Tattooed Poets Project: Tess. Lotta's Tree Has Her Back

Today's tattoo comes to us from Tess. Lotta, a poet and editor of Media Cake eMagazine. She was referred to me by Rick Lupert over at the Poetry Super Highway:


Ms. Lotta had this piece tattooed "around 1998-99". She noted that, "it took awhile, as it was painful along the spine".

She continues explaining the piece:

"...Most of my work, including this back piece, is done by my dear friend Owen Connell. His shop, Parlor F, is located in Seattle ... At the same time I was coming through some heavy shit in my life, our neighbor was chopping down a very healthy, fabulous oak tree. She left it a stump. By the next spring, the stump had sprouted fresh twigs, each waving tiny, green flags at the ends as if to say 'I’m here.' It was a deep lesson for me. I’m lucky to have two trees in my life now: a skittish but big-hearted lemon tree (it was mutilated by an untrained tree trimmer) and a scrappy peach tree that is cranky as hell."

Thanks to Tess. for sharing her tattoo with us here on Tattoosday!

Be sure to head over to BillyBlog and read one of her poems!

The Tattooed Poets Project: Whitman's Song on Michael Mayo's Chest

Today's tattooed poet has a poetry tattoo. Michael Mayo was referred to me by the poet Dorianne Laux, who taught Michael at North Carolina State University.


Michael Mayo has "I celebrate myself and sing myself" tattooed on his chest, honoring the opening line of Walt Whitman's iconic poem "Song of Myself":

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

Michael explains why he chose to have these words, first published in 1855 in Leaves of Grass, tattooed over his heart:

"I got the Whitman quote for a few reasons. The year before [2005], I was dealing with a lot of difficult issues with my family and my Chemistry major at school. My confidence and happiness were being affected very negatively. I took an intro to poetry writing class, and I found I enjoyed the catharsis of writing.

I don't know if I read "Song of Myself" on my own or if we read it in class, but I remember admiring not only the beauty in Whitman's words, but his self-assuredness.

I got the tattoo as a symbol to myself of a great American poet to admire and imitate and as a reminder to have faith and confidence in myself."

Michael is a Creative Writing major and is planning on applying to MFA programs in the fall.

The tattoo was done on his 22nd birthday, March 20, 2006, at Blue Flame Tattoo in Raleigh, North Carolina. Work from Blue Flame has appeared previously on Tattoosday here.

Check out Michael's poem "Blowing Off Death" over on BillyBlog.

Thanks to Michael for sharing his poetic tattoo here on Tattoosday!

The Tattooed Poets Project: Amanda's Tattoo Reminds Us that Life is Beautiful

Just a brief note...despite the Tattooed Poets Project for National Poetry Month, I still plan on spotting ink on the streets of New York, and posting photos here.

This is one of those posts....

On Saturday, April 4, my travels took me to the East Side of Manhattan, a part of town I don't usually frequent.

I had run an errand and was about to get on the train back to Brooklyn, when I ducked into a Duane Reade near the subway.

While standing in line, I noticed two young ladies talking to one another. One had the following tattoo inscribed above her left ankle:


"La vie est jolie," translated from the French, means "Life is beautiful."

As it turned out, Amanda, who shared this tattoo, was in great spirits. She was getting married later that afternoon. Several of her friends, presumably a bridesmaid or two among them, were standing nearby.

Amanda said that the expression encapsulated her outlook on life and that she loves France and French culture.

Her friend reminded her that she got the tattoo after her first visit to France.

Amanda also has a star tattooed on the inside of her left wrist, but just the two tattoos. A friend of hers, who is a tattoo artist, inked the inscription at his home in the Bronx.

Many thanks to Amanda for being up for talking with me on a day when she surely had bigger things on her mind!

We here at Tattoosday wish you a long, happy, and beautiful marriage!!

The Tattooed Poets Project: Doug Anderson's Phoenix Soars

I first heard that Doug Anderson had an "amazing" tattoo via the poet Marilyn Nelson.

When I saw photos of it, I knew she wasn't exaggerating. Doug went in to Green Man Tattoo in West Hartford, Connecticut, and met the co-owner, Jon Elliot. He did what is considered ideal for a lot of tattoo artists: he gave him a kernel of an idea and "told him to do what he wanted as long as it was a phoenix". Doug notes, "I like to let artists do that because they always do their best work that way." Agreed, and the proof is in the end result.

The tattoo was completed in 2 two-and-a-half-hour sittings. Here's the basic piece before the color was added:



And then the final result:


The phoenix is a popular image in tattooing, yet one that you don't see too often, as they tend to be large, elaborate pieces. Doug elaborated a little as to why he wanted a phoenix:

"The phoenix, of course, is a symbol of rebirth from the ashes, a story that matters to me because it describes my life. I began writing late in life and very nearly did not survive my early life."

Be sure to head on over to BillyBlog and read one of Doug's poems.

Thanks to Doug for contributing to Tattoosday's celebration of National Poetry Month!

The Tattooed Poets Project: Kim Addonizio's Blue Roses

When first embarking on this tattoo project, nearly everyone I asked referred me to Kim Addonizio. I'd venture to say she is the poet most well-known as "tattoo-friendly". In part, this is due to her editing an anthology called Dorothy Parker's Elbow: Tattoos on Writers, Writers on Tattoos.

Graciously, Kim accepted my invitation to participate in Tattoosday's National Poetry Month project. She sent me the photo above, her fourth tattoo. I love the blue roses that set this piece apart from most lower back tribal tattoos.

Kim told me:

"The piece was done ... in Santa Barbara. It was the worst tattoo experience I ever had. (I have five tattoos). In the middle of it [the artist] took a phone call, saying, "Oh, hi. I'm tattooing a crack." I like the tattoo, though. There wasn't any particular significance to the design, for me, though afterwards I thought about Laura Wingfield in Tennessee Williams' The Glass Menagerie being called Blue Roses by her Gentleman Caller, and so it's become a bit of a reminder to myself, when I'm feeling fragile, to take a risk rather than withdraw."

She had this tattooed in 1994 and has added one more to her collection since then.

Be sure to head on over to BillyBlog to read one of Kim's poems. And although not every poem written by an inked poet appearing on BillyBlog this month is tattoo-related, Kim's is.

Thanks very much to Kim Addonizio for sharing her tattoo with us here on Tattoosday!